Bill Allard Explains How He Became a National Geographic Photographer

I see it’s been almost two months since I’ve posted a blog–a long time. It isn’t that I haven’t been writing, I have, quite a bit. But not for my blog.

We’re back in Virginia after a long drive from Missoula, Montana, a town I already miss. We stopped in Minnesota, Iowa, and Nebraska on our way back and in that order although it doesn’t seem the logical way to go from western Montana if one consults a map. But it’s the way we went and now we’re here at our Afton, Virginia home again after almost four months away.

As much as I miss Montana it’s good to be back here in the woods of Nelson county in central Virginia’s Rockfish Valley. We came in accompanied by rain all the way from Indiana. The leaves are all down and wet,  the aroma of the woods surrounding our house is an intense, earthy, fragrance; nothing else quite like it. Oaks, poplar, maple, gum, hickory, and locust, a seemingly endless variety of trees all stripped of their summer garb creating a carpet of amber and gold hues on the forest floor.

Driving back I thought a bit about an evening in Missoula when I was speaking to about 60 University of Montana students in an evening class called “Montana Writers Live,” conducted by my friend Robert Stubblefield, a member of the formidable Creative Writing faculty.

I read to them some excerpts from a book of fiction I started years ago, set aside for some years and have returned to and worked hard on this past year. It’s something I hope to finish by the end of next summer. It’s the first time I’ve read from my fiction and I think it went well. There was a long period of Q and A following my reading and I did my best to answer their questions. They were not all about my fiction, of course, many were about my long career as a photographer and writer for National Geographic magazine, a career that will reach 48 years this coming June.

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3.5% Fine Art Print Royalties Back to Artist at Auction?

From NYT Arts Beat: Lawmakers Propose Royalties Be Paid to Artists on Resale

By PATRICA COHEN

It’s the dream of every art collector to buy a painting from a little-known artist for $100 and later sell it for $1 million. But how does that artist feel? Some think it unfair that artists typically do not directly benefit when a particular work escalates in value, and a bill introduced Thursday by Representative Jerrold Nadler, Democrat of New York, and Senator Herb Kohl, Democrat of Wisconsin, seeks to redress that.

With the support of organizations like the Visual Artists and Galleries Association and the Artists Rights Society, the lawmakers propose setting aside 7 percent of the price of artworks that are resold for more than $10,000 at auction houses. Half of the commission would go to the artist and the other half to nonprofit art museums. The legislation, which would apply only to the resale of work, models itself on laws — more commonly known as droit de suite — already on the books in dozens of countries.   More here:

The Real Price of Gold NPR Interview – Randy with Terry Gross

 

Randy’s interview with Terry Gross

on Fresh Air about NGM’s The Real Price of Gold.

 

 

 

National Geographic Italy Publishes "Master of Photography" Series

 

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Workshop with friends…

It’s funny how much better things work when you are in a great group of friends…

In 2005 we needed a fixer to help us on an assignment in the Alps for National Geographic magazine. Gianluca Colla answered an email query that led to a more than a working partnership. If you spend a couple of months driving windy mountain roads to tiny villages in the Dolomites, taking a train across a snowy pass that is stalled because of an avalanche, and traipse through waist-high snow on a cold, black night getting lost on the way back from an ice igloo–well, you learn a lot about each other in these situations. We found this great guy who loves our music, knows great wine and food and never tired of the hunt for a good photographic situation. More importantly, we found a new friend who has sincere respect for other people and passion for photography. A few assignments, workshops, seminars and corporate jobs pass and then Sophie shows up. A talented beautiful woman inside and out. We returned to Italy last year for their wedding. A gathering of friends and family. Last month we returned again for the realization of his dream of bringing people together to share ideas and knowledge. The first Photo Cruise Factory Workshop. Gianluca partnered with his friend Matteo Cavalleroni to launch workshops. They both called on the talents and of their friends and organized a week — full of technical support and classroom critiques, discussion and lectures, shooting time punctuated by an evening talk at the fabulous Palazzo Ducale.

Two trips ago to Italy, it was for Gianluca and Sophie’s wedding…

Somehow they had a wedding that looked like a painting…

We speak no Italian, yet, language was not a barrier (partly to the skill of some fabulous translators). Photography communicates on such a universal level. Photographers came with varied backgrounds from different countries and worked on stories, each progressing to take their work to a new level. The first day, the group bonded over a joint assignment. But there were challenges. Manuela was 8 1/2 months pregnant. Ismaele is an engineer who photographed nature boldly but had never approached people. One woman was recovering from being in a coma after an accident. Photography was what she wanted to do. For another woman, it was a way to know her father who was a photographer who died when she was young.

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Genova Snaps walking to and from our workshop…


Ok… well actually NOT this one (above)… it was shot when I was here for NG on the 7 Billion story…

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Photography Lecture at Palazzo Ducale in Genova, Italy

This is the link on YouTube. We’ve never had a nicer venue for a photography lecture…

YouTube Preview Image

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Melissa on Huff Post

An interview with Melissa about her Annenberg Talk in the Huff Post Arts section.

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National Geographic Brands Air Freshener

National Geographic’s branding activities is the subject of a Guardian story.

Melissa Farlow | The Annenberg Space for Photography | IRIS Nights Lecture Series

Melissa Farlow | The Annenberg Space for Photography | IRIS Nights Lecture Series.