“Working For Free”

From PHOTOSHELTER: There’s an interesting conversation going on over at The Atlantic about working for free. The talk is among journalists, but it’s not much of a stretch to bring it into the photography (or really any creative) space.

It started last week with journalist Nat Thayer, who was asked by The Atlantic website to repurpose a blog post for free. The original article, “25 Years of Slam Dunk Diplomacy: Rodman trip comes after 25 years of basketball diplomacy between U.S. and North Korea”  was posted on NKNews.org. After it was published, an editor from The Atlantic emailed Thayer to ask if he would be interested in adapting a version for their website – for free.

Thayer took to his blog and posted his correspondence with the editor.

“We unfortunately can’t pay you for it, but we do reach 13 million readers a month,” said the editor in her email to Thayer. “I understand if that’s not a workable arrangement for you, I just wanted to see if you were interested.”

To that Thayer responded: “I am a professional journalist who has made my living by writing for 25 years and am not in the habit of giving my services for free to for profit media outlets so they can make money by using my work and efforts by removing my ability to pay my bills and feed my children…Frankly, I will refrain from being insulted and am perplexed how one can expect to try to retain quality professional services without compensating for them.”

Read more at Photoshelter

Awards Video

“Courtesy of the IU School of Journalism”

 

Melissa Inducted into Indiana Hall of Fame… Journalism Profs Roll Over With Disbelief…

HALL TO INDUCT SIX IN 2013

This story was posted on Jan. 2, 2013.

Six new members of the Indiana Journalism Hall of Fame will be inducted into the organization at a ceremony April 27 at Indiana University in Bloomington.

The new members, honored for their distinguished careers in newspaper or broadcast journalism or journalism education, include:

  • The late Joe Aaron, a longtime reporter and columnist for the Evansville Courier. Aaron joined the Courier in 1955 after working for newspapers in New Mexico, Montana and Virginia. He began writing a five-days-a-week column for the Courier in 1957, continuing until he died of a heart attack in 1986 at age 57. Aaron won a National Headliner Club Award for best local interest column, but the greatest tribute to his appeal might be that the Evansville Courier & Press continues republishing his columns in its Sunday editions 26 years after his death.
  • farlow

    Melissa Farlow, a native of Paoli, Ind., an award-winning photojournalist for National Geographic and several newspapers. She graduated from Indiana University in 1974, after which she became a photographer for the (Louisville, Ky.) Courier-Journal. Her work chronicling riots over court-ordered school desegregation helped the Courier-Journal win the 1976 Pulitzer Prize for feature photography. She later worked for the Pittsburgh Press before joining National Geographic, for which she has gone on assignments around the globe. She has also been an instructor with the Missouri Photo Workshop for more than 25 years. [Read more...]

National Geographic Christie’s Auction | Links to Our Photos and Some We Should Have Bought

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Annenberg Space for Photography Exhibit and Film “No Strangers” opens in LA on November 17

THE ANNENBERG SPACE FOR PHOTOGRAPHY PRESENTS NO STRANGERS: ANCIENT WISDOM IN A MODERN WORLD OPENING NOVEMBER 17, 2012

LOS ANGELES, CA (August 23, 2012)–The Annenberg Space for Photography is pleased to announce its next exhibit – no strangers: ancient wisdom in a modern world, a group show about the wonder of culture and the plight of indigenous people throughout the world. no strangers is guest curated by esteemed anthropologist, author and photographer Wade Davis. This exhibit opens to the public in Los Angeles on November 17, 2012 and runs through February 24, 2013.

no strangers explores the ways cultures express a shared humanity and navigate the circle of life. It poses a fundamental question: What does it mean to be human and alive? When the people of the world answer this question, they do so in 7,000 unique voices. Tragically, half of these may be silenced within a generation or two. At risk is our human legacy, a vast archive of knowledge and expertise. Rediscovering a new appreciation for the diversity of culture is a crucial challenge that should be faced.

Photographers featured in the exhibit are Carol Beckwith & Angela Fisher, Wade Davis, Chris Johns, Lynn Johnson, Steve McCurry, Randy Olson, Chris Rainier and Hamid Sardar.

…The exhibit will feature an original short documentary produced by Arclight Productions for the Annenberg Space for Photography. The film will be shown in vivid detail on two 14’ by 7’ screens in 4K resolution. Filmed in locations throughout the world, from Washington, DC to British Columbia, Canada to London to Mongolia, the documentary will feature additional photographs, interviews and behind the scenes footage with exhibit photographers, indigenous people and experts. The film will examine indigenous cultures through photography’s lens and encourage viewers to consider ancient traditions in a new context.

The themes explored in the exhibit include: The Circle of Life, Our Shared Origins,
Ancient Wisdom, Sacred Geography, Endangered, Globalization, Ritual & Passages, Beauty, Quest for Spirit and Joy of Culture.

Instagram-And the Intersection with Professionals

National Geographic magazine opened up it’s Instagram account to a number of us and was received enthusiastically as a “behind the scenes” way for photographers to communicate. Here are a couple of paragraphs from the BJP article. You can click on the link at the end to read more.

But one household name was quick to realise Instagram’s full potential. A few weeks after its launch, Instagram signed its first major brand partnership with National Geographic. When the deal was first announced, the goal was for National Geographic to share photo tips and offer photography challenges to its followers. But in recent months, it has become an integral part of the magazine’s operations – with professional photographers taking over NatGeo’s feed of images – reporting instantly from their travels and photo shoots. As a result, a number of renowned photographers have created their own accounts and are now building their own following of dedicated photography enthusiasts.

BJP claims that Instagram signed  with NG as a “brand partner,” in the graph above, but I’m not sure that is actually true. There was an article in TechCrunch about the possibility of this, but folks at NGM who should know, say a deal was never made.

What is interesting is how different publications are dealing with this phenomena, the New Yorker is paying a different photographer each week to add photos to their Instagram account. NGM is not paying but feels the additional traffic to the individual photographers will make it worthwhile. Ed Kashi has photographed for both feeds and talks about the future possibilities in the BJP article:

“What concerns me is that this is yet another channel for creating and disseminating photography that does not bring in income. At least not yet,” says Kashi. “I gather ‘building your brand’ is all the rage and while I acknowledge the importance of that, it’s not why I create nor do I see a direct correlation to making a living and developing this field into the digital era where creators’ work is respected, compensated and properly appreciated.”

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On Set for Annenberg Film and Exhibit: No Strangers

Backstage, Lumix Photofestival, Germany

Craig photographs Melissa getting ready at the Lumix Photofestival. If he wins a third Pulitzer, we will print this out, make him sign it and sell it for a lot of money :)

Lumix Photofestival for Young Photographers Roundup

All the gloom and doom about the demise of print media was put aside last week after spending a few days in Hannover, Germany at the 3rd LUMIX festival for young photojournalists.  The sophisticated and thoughtful work I saw there – and more than that – the commitment these emerging photojournalists have — gave me new hope.

Christopher Cappozziello, an American photographer was awarded the Lammehuber Award for his sensitive, yet unblinking look into a very personal story about his twin brother who has cerebral palsy. In The Distance Between Us, the unpleasant realities are interpreted through the eyes of this young photographer.

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Wild Horses Short Film-Melissa on Set with Stephanie Martin and Robert Richardson

Stephanie is directing a new short film inspired in part by the photographs of wild horses on this site and by Melissa’s life as a still photographer working for a large magazine trying to do some good for the plight of wild horses in the American West.

Her husband, Robert Richardson, is the cinematographer-maybe the best cinematographer working today. His filmography is here… Salvador, Platoon, Wall Street, Born on the Fourth of July, JFK, The Horse Whisperer, Snow Falling on Cedars, The Good Shepherd, Hugo… too many to mention.

No animals were hurt in the production of this short film. This is a fake horse.